Rather than simply shooting whatever happens to be there, take a proactive approach to arranging your subjects. Take charge and let the people you are taking pictures of know exactly what you want them to do. When you do this, you will find that your pictures will come out much better than if you just take a picture of whatever happens to be going on.
You want to make sure that you have enough light to capture the details. Remember that we don’t have colors to distinguish and make details. We have to let the light do the trick. A beautiful blue sky will look gray in a black and white photo.
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The last part is getting your timing correct. You will want to look through your camera and know where the photo will actually begin. This is because you want to start your shot before any cars enter the shot. If you don’t, then you will have some light streaks start midway through the shot, coming out of nowhere. Sometimes this can’t be avoided though, and also sometimes it can turn out to be cool. But most times you want to expose the shot before any car enters the shot.
As you might expect, the direction of a hard light source is much more critical than that of a soft one. In fact, changing the angle between your subject and the light source can totally transform the way it looks. If your subject has a rich texture, that can totally disappear when the light is square on to it. The more oblique the angle, the deeper the texture will appear.
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If there is nothing then you don’t have a problem. Most of the time there is and you need to deal with the problem. Backgrounds that are cluttered or similar in colour to your subject need to be dealt with. Change the viewpoint, angle or your position to place the subject in front of a better background if necessary. Too much clutter in the back will compete with the subject for attention, so be careful. The same goes for the foreground. Although not as important there must not be anything there that is distracting. And of course decide if you want the background sharp or blurred with a shallow depth of field.
If your camera has manual settings, you can widen the aperture to allow more light to come through the camera lens which is vital at night when there isn’t much light to begin with. Select either the Av (Aperture priority) or M (Manual) shooting mode on your camera to adjust aperture. The widest opening for most lenses is f2.8.